Time Machine will be a festival of experimental, time-based art taking place at alternative spaces across Sydney during 16-29 July.

Full details here: http://serialspace.org/events/112/call-for-proposals-time-machine/

Further information available at: http://icad2012.icad.org

The 18th International Conference on Auditory Display (ICAD2012) will be held June 18-22, 2012, at the Georgia Institute of Technology in the heart of midtown Atlanta, Georgia. The event will mark the 20th anniversary of the 1st International Conference on Auditory Display. Since 1992, ICAD has been the premier international venue for the dissemination and discussion of work related to the science, art, and practice of sound as a communicative display. Through its active Sonification Lab and Center for Music Technology, Georgia Tech is pleased to host ICAD’s vibrant community of researchers and practitioners on its campus.

More info and submission guidelines available at: http://currentsnewmedia.org/currents2012.html

The full Program is available at: http://balance-unbalance2011.hexagram.ca/?page_id=229

Session #2 – Changing environments Abstracts and Bios are available at:
http://balance-unbalance2011.hexagram.ca/?page_id=304

Read about this Project: http://wildweather.net.au/

Electrofringe 2011 – a performance with projected animation, audio & video interviews, live acoustic and electronic music and sound design.

TiYC is a satirical look at Australia’s international role as a migration nation. The performance animation looks back at the history of the Australian Department of Immigration and Citizenship’s Risk Factor List or RFL, first implemented in June 1991 through to it’s latest update in June 2008. In this context the performance presents three stories told by individuals who have migrated to Australia and the conditions under which they did so. The animation and stories are interspersed with acoustic and electronic musical performance, providing a live soundtrack to the on screen narrative.

Performance dates: 6pm, Friday 30th September & 7pm Saturday 1st October
Venue: Black Box Theatre, Newcastle Community Arts Centre, 246 Parry Street, Newcastle.
Contact: ncac@ncac.org.au for more information, or call on (02) 4961 1696

The full Electrofringe 2011 Program is online at: http://electrofringe.net/2011/program/

Performance media online at http://tiyc.com.au

I’m giving a paper at this conference in Montreal on the 4th and 5th of November. An interesting event for artists and scientists working with technology, taking responsibility for the environment.

From their website – The BALANCE-UNBALANCE conference will seek to bring artists together with scientists, economists, philosophers, politicians, sociologists, engineers, management and policy experts with the intent of engendering a deeper awareness and creating lasting intellectual working partnerships in solving our global environmental crisis.

See website for more details, including abstracts and bios now online: http://balance-unbalance2011.hexagram.ca/

http://www.mitpressjournals.org/page/cleo11_freebook

06-09 July 2011, Padova, Italy
Department of Information Engineering, University of Padova Conservatorio Cesare Pollini, Padova
http://smc2011.smcnetwork.org/

The SMC Conference is the forum for international exchanges around the core interdisciplinary topics of Sound and Music Computing. SMC2011 will feature lectures, posters/demos, musical/sonic works, and other satellite events.

The Call for Papers and the Call for Music have already been launched. We are now able to announce that revised versions of a selected number of papers (approx. 6 to 10) on the conference theme will be published in a Special Issue of the Journal of New Music Research (tentatively scheduled for the second half of 2012, to be confirmed). Please check: http://smc2011.smcnetwork.org/call_for_participation.htm

The online submission system is now open, and templates for paper and music contributions are available. Please check: http://smc2011.smcnetwork.org/information_for_authors.htm

Time and place: From 6-9 July 2011 The School of Music University of Auckland New Zealand
will host a 4-day research symposium on the topic of Organic Sounds in Live Electroacoustic Music.

The deadline for receipt of  proposals is Thursday 31 March 2011

The keynote presenter will be Simon Emmerson (DMU). Other featured composers and presenters include: John Cousins (NZ Composer), Gerardo Dirie (QCGU), John Elmsly (UA), Jason Phillips (Taonga Puoro Player), and Ian Whalley (UW).

As a special feature of the conference, a series of closed concerts will be presented through a 24-channel geodesic sound dome that will be installed in Studio One Kenneth Myers Centre for the duration of the 4-day event (small audiences only). A second multi-channel system designed to cope with larger public audiences will be installed in the Music Theatre, and made available to participating ACMC delegates. Practical workshops will also be offered on Taonga Puoro (traditional Maori Instrument) making and playing, and ambisonic recording and spatialisation techniques.

The special theme of ACMC11 is Organic Sounds in Live Electroacoustic Music

Online Submission: http://prixars.aec.at
Deadline: March 18, 2011

Categories:

Computer Animation/Film/VFX
Digital Musics & Sound Art
Interactive Art
Hybrid Art
Digital Communities
[the next idea] voestalpine Art and Technology Grant
u19 – freestyle computing (only for Austria, see details: www.u19.at)